What Is The Friar Pondering When Scene 3 Opens

What Is The Friar Pondering When Scene 3 Opens – Course Description Help middle school students go beyond basic story recall and develop close reading analysis skills with this set of high-quality questions that cover Act 4, Scene 1 of William Shakespeare’s Romeo and Juliet. Available in printable Word Document and PDF formats, this worksheet saves English Language Arts teachers valuable time at home without sacrificing rigor in the classroom. An answer key is attached. On completing this activity, students will: Identify what the text is saying explicitly and implicitly analyze how complex characters think, behave and interact Understand the tone of a character’s dialogue Distinguish a true statement from a string of lies Define complex words and phrases such as . used in context Argue whether Father Laurence’s decision to help Juliet is consistent or inconsistent with his moral and religious duty. Paraphrase Father Laurence’s plan to reunite Romeo and Juliet. Consider the previous scene to articulate how Father Laurence’s aspect was intended. Write down ideas with clarity, precision and accuracy

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What Is The Friar Pondering When Scene 3 Opens

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We use cookies to provide you with the best experience on our website. If you continue to use this website, we assume that you are satisfied with it. Ok1 Romeo and Juliet Literary Terms and Study Guide Characters: The Montagues Lord Montague Lady Montague Romeo Benvolio Balthasar Abraham the servant (I.1 only) The Capulets Lord Capulet Lady Capulet Juliet Tybalt the Nurse Peter the nursing servant Sampson and Gregory the servant (I .1 only) 1) Prince Escalus, ruler of Verona Mercutio, relative of the prince, friend of Romeo Father Laurence, Franciscan priest Father John, who was ordered to deliver a letter to Romeo Count Paris, betrothed to Juliet Apothecary sells poison Time: Fourteenth century Place: Verona and Mantua, cities in Italy Literary expressions provide another example of each of these. Paradox: when two things happen that are in direct opposition and seem impossible. This is often used in R&J because the love of Romeo and Juliet is contrasted with the hatred of the families. examples: They travel back in time and kill their parents. O love of strife! O hate love!/ O heavy speed! Bad vanity! (ME). Personification: when non-human things are given human characteristics. example: Shakespeare is not satisfied with the word The sun shines. I prefer to say, the sun adored/ Look from the golden window of the east (I ). Dramatic Foil: When two characters are placed next to each other to increase the contrast between them. examples: Arnold Schwarzenegger and Danny DeVito were in the movie Twins. Benvolio tries to stop the fighting in I.1 while Tybalt tries to fight further Benvolio’s peaceful nature and Tybalt’s desire to fight are emphasized as a result.

2 Pun: word play. Shakespeare often makes puns the center of a witty conversation. Example: The play opens with Sampson and Gregory putting their fists on their colliers/choler/collar after saying they won’t carry coal, meaning they won’t take insults. A coal miner sells coal, choler is anger, and a collar is a hangman’s noose. Jampic Pentameter: A poetic form with five beats per line, with the first accent on the second beat. Shakespeare uses this form in his plays whenever people speak in poetry. The blank verse is an unsung iambic pentameter. When you see lines of characters starting in the middle of the page, this is because they are ending the iambic pentameter that the previous speaker started. example: Benvolio: Good morning, cousin. Romeo: Is the day so young? Benvolio: But the new one struck nine. Romeo: Yes, the sad hours seem long! (I ) no additional example needed Prose vs. Poetry: When the characters do not speak in iambic pentameter (see above), they speak in prose or ordinary language. With prose, there is no meter, no rhyme, just regular sentences that run to the edge. This is usually the language of comedy or lower class speech. Poetry is reserved for the noble or the language of love. example: Introduction of the complete play (I.1) Soliloquy: when one person speaks alone, without hearing from the other characters, usually to express his thoughts or feelings. example: Juliet’s balcony speech in II.2 (although Romeo listens). Monologue: When one person speaks alone but is heard by other characters. examples: The prince’s proclamation at the end of the battle in I.1. Mercutio’s Queen Mab speech in I.4. Aside: When one person speaks so that only selected people or an audience can hear, usually only a short line. example: Sampson and Gregory whisper in I.2 so that the Montagues cannot hear. Metaphor: A comparison that shows that one thing is something else. example: July is the sun (II.2.3).

3 Comparison: comparison using like or as. example: You/ So majestic until this night when you offer me your head, / As the messenger with the wings of heaven … (II ). Allusion: A reference to something else, usually art or literature. Shakespeare repeats classical allusions where he will refer to a Greek god or goddess. example: She will not be struck/ By Cupid’s arrow. He has the wit of Diana (I.1.180). The Scene Guide records the important events of each scene. Act I Scene 1: Verona. Public place. Enter Sampson and Gregory of the Capulet family, with swords and shields. Scene 2: Street. Enter Capulet with Paris, the relative of the Prince, and a servant. scene 3: A room in the Capulet house. Enter Lady Capulet and the Nurse. Scene 4: Street. Enter Romeo, Mercutio, Benvolio with five or six other masks and torch bearers on their way to the Capulet house. scene 5: The hall in Capulet’s house. The musicians are waiting. Enter the napkin servers. Act Two, Scene 1: The course along the wall of Capulet’s gardens. Enter Romeo, alone. Scene 2: Gardens of the Capulets. Enter Romeo.

4 scene 3: Father Laurence’s cell. Enter Father Laurence with a basket. Scene 4: Street. Enter Benvolio and Mercutio. scene 5: Gardens of the Capulets. Juliet enters, waiting impatiently for the nurse. scene 6: Father Laurence’s cell. Enter Father Laurence and Romeo. Act Three Scene 1: The public place. Enter Mercutio, Benvolio, Page and Servants Scene 2: Capulet’s Paradise. Enter Juliet. scene 3: Brother Laurence’s cell. Enter Father Laurence. scene 4: A room in the Capulet house. Enter Capulet, Paris, and Lady Capulet. scene 5: Gardens of the Capulets. Enter Romeo and Juliet, above, at the window.

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5. act IV. scene 1: Brother Laurence’s cell. Enter Father Laurence and Paris. scene 2: The hall in the Capulet house. Enter Capulet, Lady Capulet, Nurse, and two Stewards. scene 3: Julia’s room. Enter Juliet and the nurse. scene 4: The hall in the Capulet house. Enter Lady Capulet and the Nurse. scene 5: Julia’s room. The curtains around her bed. Enter a nurse. Act V Scene 1: Mantua. street Enter Romeo. scene 2: Father Laurence’s cell. Scene 3: Church Cemetery; it contains a monument of the Capulets.

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